"Words you might try to use to describe it—mysterious, reflective, contemplative, plaintive, noble, etc.—are not enough for Gluck's lyric masterpiece," George Balanchine wrote of the score for his 1976 ballet, Chaconne. Witness this nearly-impossible-to-describe work on the All Balanchine I program this spring, opening April 22: nycballet.com/balanchine1spring Featuring Adrian Danchig-Waring and Sara Mearns | New York City Ballet
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"Words you might try to use to describe it—mysterious, reflective, contemplative, plaintive, noble, etc.—are not enough for Gluck's lyric masterpiece," George Balanchine
New York City Ballet. . "Words you might try to use to describe it—mysterious, reflective, contemplative, plaintive, noble, etc.—are not enough for Gluck's lyric masterpiece," George Balanchine wrote of the score for his 1976 ballet, Chaconne. Witness this nearly-impossible-to-describe work on the All Balanchine I program this spring ...
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On seeing “Chaconne” for the first time, Doris Humphrey declared “This is one of the most magnificent dances I have ever seen. It is that for a number of reasons, but chiefly because it is a man dancing.” We love how this solo brings out the individuality of each dancer. | Limon Dance Company
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George Balanchine's Ballo della Regina challenges its dancers to master the art of carefree joyousness while executing technically challenging steps. Similar to the bel canto style of opera in its emphasis on variation, Ballo della Regina draws inspiration from its Verdi score by offering soloists moments to stand out as well as time to rest. Witness this intricate and demanding work on the All Balanchine I program opening spring performances: nycballet.com/balanchine1winter Featuring Anthony Hu
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Chaconne in D Minor
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On seeing “Chaconne” for the first time, Doris Humphrey declared “This is one of the most magnificent dances I have ever seen. It is that for a number of reasons, but chiefly because it is a man dancing.” We love how this solo brings out the individuality of each dancer. | Limon Dance Company
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On seeing “Chaconne” for the first time, Doris Humphrey declared “T…
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FacebookLimon Dance Company
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FacebookNew York City Ballet
George Balanchine's Ballo della Regina challenges its dancers to master the art of carefree joyousness while executing technically challenging steps. Similar to the bel canto style of opera in its emphasis on variation, Ballo della Regina draws inspiration from its Verdi score by offering soloists moments to stand out as well as time to rest. Witness this intricate and demanding work on the All Balanchine I program opening spring performances: nycballet.com/balanchine1winter Featuring Anthony Hu
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Principal Dancers Megan Fairchild and Anthony Huxley setting the scene in George Balanchine's Ballo della Regina. Don't miss the notably challenging work this spring on the All Balanchine I program: nycballet.com/balanchine1spring | New York City Ballet
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