Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the ...

In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...

The subject of numerous controversies, she is defined by ambiguity, welcoming outcasts to the Church and provoking more ...

A professor at M.I.T. on how Xi Jinping is likely to respond to U.S. tariffs and why the standoff won’t weaken the Chinese ...

Music is no longer a matter for the few,” Kurt Weill declared in 1928, the year he wrote “The Threepenny Opera.” In Weill’s ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

Pope Francis has long advocated for immigrants, refugees, and the vulnerable—but the Church, like other institutions, may ...

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

Also: Adam Gopnik on where to eat near the Frick; Sondheim and Chekhov, Marisa Tomei and Lucas Hedges on stage; the kinetic ...

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor.