The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
Disneyland guests have been riding Doom Buggies for 55 years now, but what story is the attraction trying to tell?
Disneyland guests have been riding Doom Buggies for 55 years now, but what story is the attraction trying to tell?
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
Like home-invasion movies, haunted-house films tap into the universal fear of being attacked in the one place you’re meant to ...
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty ...
"Unfortunately, during an interview on CBS, Adele remarked that she believed the house to be haunted," he said. "This comment negatively impacted future marketing efforts and continues to affect ...
The haunted-house aspect is almost a red herring. Soderbergh has never met a genre he didn’t want to deconstruct, taffy-pull or ransack for some sort of aesthetic experiment; he’s one of the ...
The titular phantom in Steven Soderbergh’s new thriller, Presence, is already waiting inside the house when a dysfunctional ...
The prolific filmmaker turns a supernatural thriller into an experiment in first-person perspective and a dysfunctional family drama that’d make Eugene O’Neill cringe ...
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